In 2001, Farhan Akhtar made his directorial debut. dill chatta high was released, the beach curls worn by actress Preeti Zinta were an instant hit. But Jinta’s messy, bushy curls not only gave her a fresh look, but also a tame and submissive character, and even a hairstyle, was a statement to the analyzed old-time heroine. Ditching the era’s conspicuous updo, the New Age heroine literally let her hair down and declared to the world that she was not a trophy adorning a man’s mansion, but a flesh and blood person living alone.
Not just Jinta dill chatta high Changes were also seen in the character’s hairstyle. The gel-like spikes and beard worn by Amir Khan’s character “Sid” became one of his biggest style trends of the year. It was Avan Contractor, now a prominent Bollywood hairstylist, who gave the young man the iconic look to show off. dill chatta high It was Conractor’s debut as a hair stylist.
Since then, Contractor has created some of the most famous looks for Bollywood actors. Khan herself went under her scissors again in 2008. Ghajiniwas a tale of revenge and he had to put on a whole new look. I gave you a mop like that gully boy.
The hairstylist started his career in Hindi cinema at a time when hairstyling was not yet recognized as an independent department. Looking back on his 22-year journey, Contractor is grateful for the opportunities he has had. “It wasn’t really a career plan when I started. Bollywood just happened to flow into my life very organically and I let myself go with the flow. My journey has been pretty satisfying.” Now one of Hindi cinema’s leading hairstylists, she feels that hairstyling is an important aspect of the filmmaking process. As for hair, she “adds a huge dimension to the details that allow an actor to get the part and be the character they play”.
As a metaphor, hairstyles reflect undercurrents of gender expression and become sociological cultural markers across the realm of fashion. had. Author Kushalvaria says of her hero in Vintage, “The hair is all over the head, but cut straight at the back. Perhaps part of the short back and sides, and parted in waves above the forehead.” It’s in some form or another.” This type of haircut was seen on many post-colonial stars such as Guru Dutt, Rajendra Kumar and Dev Anand. ”
At the turn of the century, a new type of masculinity began to make its presence felt in Indian celluloid. John Abraham and Salman Khan rhythm When Tele Nam, reflecting a deeper shift in accepted norms of masculinity. Some hairstyles imitated Western trends, while others became markers of cultural change.
For female characters, hair is a means of establishing purity, religious piety, and character traits such as virginity and humility, as opposed to vamps and seducers, who allowed more experimental hairstyles. For leading ladies, even when they dabbled in trending hairstyles, the proverbial ‘wedding’ center piece was worn at the appropriate point to symbolize ‘The Taming of the Shrew’.
Contractors do not deny that representation of women has suffered from sexism and objectification in the past. This phenomenon has even permeated hair styling. But the artist still has hope. “I think people are a little more conscious today. There are a lot of filmmakers who disagree with that kind of portrayal. We have to question whether or not,” she says.
(This was published as “Make a Statement” in the print version)
